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#Kings kaleidoscope song with come thou fount lyrics full#

Sufjan Stevens recorded a version for his Hark! Songs for Christmas album, which reached 122 in the US charts and is featured in the closing minutes of the season four premiere episode of Friday Night Lights.

Scottish group Celtic Worship recorded a version incorporating traditional Scottish instruments, on their album Morningtide.

Christian rock band Jars of Clay and veteran Christian artist Scott Wesley Brown have also covered the song.

It has been covered by the David Crowder Band on their 1999 album All I Can Say.

Christian artist Fernando Ortega recorded a version on his album Hymns & Meditations in 1994.

Nancy Bryan sings a version of this hymn on her album Neon Angel from 2000.

Catholic artist Audrey Assad recorded a version of this hymn on her "Good to Me" EP in 2013.

Mosquito Fleet- arrangement, instrumentation and vocals by Mosquito Fleet- Swings & Cloves EP in 2001.

For example, the tune "Warrenton," which first appeared in the 1838 edition of William Walker's Southern Harmony, is sung in 4/4 time or 2/2 cut time to fit the text to this melody, the second half of each verse is omitted and replaced with a chorus of "I am bound for the kingdom, will you come to glory with me? / Hallelujah, praise the Lord!" Recordings Because most singers have the lyrics memorized, it can be sung at remarkably fast tempos without stumbling over the words. In the shape note tradition, most tunebooks have one or more tunes other than "Nettleton" that use Robinson's lyrics, in part, or in whole, often adding a camp meeting-style revival chorus between each verse. The "Nettleton" tune is also quoted at the end of "My Trundle Bed" by Tullius C.

#Kings kaleidoscope song with come thou fount lyrics full#

The "Nettleton" tune is used extensively in partial or full quotation by the American composer Charles Ives, in such works as the First String Quartet and the piano quintet and song "The Innate". In the United Kingdom, the hymn is also often set to the tune "Normandy" by C Bost. Asahel Nettleton also published music, so some attribute his namesake tune directly to him. The tune appears on page 112 in F major for two voices (tenor and bass), with a revival chorus (Hallelujah, Hallelujah, we are on our journey home) the facing page has another musical setting ("Concert") in A minor without any chorus.

In the United States, the hymn is usually set to an American folk tune known as "Nettleton", which first appears in Wyeth's Repository of Sacred Music, Part Second (1813), possibly collected by Elkanah Kelsey Dare, who was the musical editor ( John Wyeth himself was a printer). The original text of the hymn "Come Thou Fount of Every Blessing" Ultimately, the song presents a message of hope, with the singer acknowledging his faults and desire to reconnect with God, even in the face of his own failures.Clothed in flesh, till death shall loose me The repeated phrase "Tell me is the water wasted?" could be a metaphor for the singer's own life, questioning whether or not he has wasted his own potential, time, and relationship with God.

The bridge seems to suggest that the singer has spent too much time searching for fulfillment in other things, such as better drugs and other vices, and is now looking back to God for help. The chorus is a plea for forgiveness and guidance from God, asking if he will lose His patience with him for his past mistakes and "miss behaving." The singer acknowledges that he misses the saving grace of God and wishes to have it once again. He is addicted to the idea of fixing things on his own, but ultimately realizes that he needs God's help to crawl back to his calling. The verses depict this feeling of being lost in the chaos and "redline living," but also shows a desire to find a way back to God. The lyrics suggest that he feels overwhelmed and lost, searching for peace and control in a world that seems to be spinning out of his grasp.

"Water Wasted" by Kings Kaleidoscope is a song that speaks about the struggles and doubts that the singer goes through in his relationship with God.